Posted on January 17, 2018
‘Sixteen’ as a project is borne out of a series of pictures I made with young people during the Scottish Independence Referendum.
As a Scotsman living in England, I had no vote and so as a way of engaging with the debate I made a series of photographs of young people who would celebrate their sixteenth birthday on the day of the vote, 18th September 2014. They were the youngest people ever to vote in a UK election and I was encouraged by how engaged they were in the discussions and how seriously they took their responsibilities.
The project got me thinking about the decisions that sixteen year olds make and the opportunities available to them. It is usually the time when you are approaching final secondary school exams and deciding whether to continue in education to study for A-levels or higher qualifications or to leave school and start to make your own way in an uncertain world. At a time when my own daughter was sixteen, it felt like the first time that most people are presented with really important life decisions and I was interested in how different people from different walks of life approached those decisions. How culture, social background, location, gender, ethnicity, family etc all influence what young people think they can achieve in life and the paths they feel that they can take.
I started making more portraits of sixteen year olds in and around the north west of England and in this case asking them to write about themselves, their dreams, ambitions and fears both for their own futures and the future of the world more widely. At an age of personal transition and a time of great uncertainty in the economy, national and international affairs, environmental concerns etc., I was interested to explore the outlook of the next generation – the first social media generation – faced with a Brexit that none of them were old enough to vote for or against. In many cases theirs feels like a much more challenging future than the previous generations as technology and industry change the economy.
Shooting those first few pictures, I realised that I was interested in exploring the experiences and aspirations of sixteen year olds much more widely and so I invited a few friends and colleagues to discuss the idea of making it a group project. I am delighted to say that they all bought into the concept and over a pint of two in a north London pub everyone chipped in with great enthusiasm bringing in their own ideas and their own particular interests and proposals for different ways of working. I felt that as a group, we could really delve into the subject in some depth, exploring the experiences of young people far and wide – it was exciting, but it was going to need a lot of research, preparation, discussion etc to get it off the ground.
That’s were it all started and so before I talk a little bit about the areas I personally will working in, I just want to say a big thank you to all the photographers who have agreed to take part. It’s both a privilege and an honour to be working alongside great friends and colleagues whose work I admire.
In no particular order: Jillian Edelstein, Kalpesh Lathigra, Lottie Davies, Simon Roberts, Sophie Gerrard, Stuart Freedman, Kate Peters, Roy Mehta, Abbie Trayler-Smith, Antonio Olmos, Linda Brownlee, Christopher Nunn, Michelle Sank, Ronan McKenzie, Kate Kirkwood and Simon Wheatley.
So now I am excited that it is all coming together and really looking forward to seeing the work as it starts to take shape in 2018.
Since those initial informal meetings, it’s been a long road to get to this stage, and with the invaluable support of producer Liz Wewiora and creative director Anne Braybon, we are now seeing some real progress as each photographer starts to explore their own themes within the wider project.
Each of us is approaching the project in our own way finding different creative avenues to explore, but always in a collaborative fashion with the sixteen year olds we are choosing to work with. For my part I am concentrating on two themes, both close to my heart. I will be working in island communities around the UK, continuing in the same vein with which I started this project working on a large format film camera and asking each sitter to present their testimony in a hand written text alongside the photograph. I’m looking forward to working with schools and youth groups in some very interesting communities in the Western Isles, Orkney, Shetland, the Channel Islands and elsewhere.
The second strand of the project for me is looking at the post-industrial communities in the North of England and beyond. I’m interested to explore towns and cities that once relied on one main industry: mining, shipbuilding, textile weaving, steel and chemical manufacture etc, and learn how the experience of young people in those communities today may differ, for better or worse, from the experience of previous generations.
The project has received an initial research and development grant from Arts Council England, and we have been working with schools, youth groups, parents and others to get feedback on the project ideas and how we might involve the young people in the process. Each photographer has her or his own interests and each of us is working closely with Anne to find new ways to present the views of sixteen year olds in words and pictures. We are variously working in stills and video with spoken word audio, handwritten texts and social media messaging.
I look forward to sharing some of my own work and that of my colleagues in the coming months and building an online community exploring what it means to be sixteen in Britain today.
A project website/blog will be launched in the coming months where you can keep up to date with work-in-progress, written contributions by all the photographers and behind-the-scenes pictures etc. but rather than show any of that now, whilst we are just starting out… here’s a pic of tow of those first images on show at The National Portrait Gallery in London until 4th Feb.
Posted on January 23, 2017
Series of four new ads created for Wagamama just before Christmas with a great team from JWT London.
Never been so well fed on a shoot!!
Posted on March 16, 2016
It was with great sadness that I heard the announcement recently that The Independent was to cease it’s print edition from March 26th this year after setting the agenda and setting the bar in British journalism for 30 years.
I began my career at ‘The Indy’ back in 1990 and it was there alongside the best newspaper photographers of the day that I learned my trade. Great photographers like Brian Harris (book coming soon, about which I will blog I’m sure), John Voos, Glynn Griffiths, Tom Pilston, David Rose all on the staff back then (remember when newspapers had staff photographers?) and sports guys David Ashdown and Peter Jay. Alongside them was a great bunch of regular freelancers: Nick Turpin, Ed Sykes, Peter Macdiarmid, Laurie Lewis, Geraint Lewis, Herbie Knott, Steve Morgan, Robert Hallam, and then later Ed Webb, Kalpesh Lathigra, Kayte Brimacombe, Andrew Buurman etc. More followed after I left too.
I will be forever grateful for what I learned from each and all of them and proud to call many of them friends to this day.
Picture editors and darkroom staff too: Chris McCane, Keith Dobney, David Swanborough, Mike Spillard, Victoria Lukens, Susan Glenn, Karen Wylie, Colin Jacobson, John Luff, Sophie Batterbury, Simon Van Covoerden, Tony Buckingham etc.
Apologies to anyone I’ve missed off.
Here’s a few pictures from back in the day…..
The death of Francis Bacon, Colony Room, Soho, London
Ben Okri, author
Michael Heseltine, Conservative Party Conference, Blackpool
David Hockney, on the set of ‘The Rakes Progress’, Saddlers Wells, London
Miners Welfare Rally, London
Liberia, West Africa
War in the former Yugoslavia (Mrs Thatcher)
Nelson Mandela, London
Sealed Knot, Civil War reenactment, Newbury
La Defense, Paris
Ted Heath, Westminster, London
Armistice Day, Ypres, Belgium
Posted on April 29, 2015
New work for Heathrow Airport, all shot on cold and blustery late winter days in UK! Brrrr. Commissioned by Saatchi Masius London
Many thanks to all the participants who braved the cold, the mud, the wind and the rain: Louis Barnett (Chocolatier), Martin Corr (Sound Moves), Paul Brown (MHI, Bristol), Anna Goodband (Liverpool School of English), Chris Baker-Brian (BBOXX), plus of course my super assistants Wayne Pilgrim, Peter Scarratt, Anderson Lamb.
Art Directors: Ian Otway/Tom Kennedy
Copywriters: Richard Carman/Laura Fullerton
Production: Sharon Daly/Luke Jackson
Post Production: Michel Groot/Craig Easton
For behind the scenes videos by Barney Edwards/Kalectiv please visit:
Posted on September 24, 2014
I’m not sure what’s going on, but I’ve found myself photographing dogs of late. No real plan and no real direction to it, I just seem to be seeing dog pictures everywhere: Paris, Liverpool, New York, Mumbai, Amsterdam…..
…more on the website
Posted on December 13, 2013
These last few weeks have seen the deaths of two extraordinary people that I consider myself to have been very fortunate to have met back in my newspaper days. Doris Lessing 1919-2013 and Nelson Mandela 1918-2013. Both made the world a better place and both were incredibly generous with their time to a young photographer barely out of short trousers. Mandela, I met twice – once when I was still at college when my friend James Miller and I talked our way into a press conference during his first visit to London after release from prison in South Africa. He took time out to talk to these two young students and was genuinely interested in what we were doing, telling us (even at that stage) that it was important work. James went on to become a superb TV news cameraman and documentary film-maker and was tragically killed in the Gaza Strip in 2003. He did some incredibly important work and I know that, like me, he cherished that first meeting with Mandela.
Doris Lessing was photographed at home in London in 1992 for The Independent newspaper. Usually these newspaper portraits were done in a few minutes flat – a quick hello, assessment of the environment then a photograph and on to the next assignment. With Doris Lessing, I recall it was different. Like Mandela she was genuinely interested and we spent a couple of hours at least at her home talking about everything under the sun over numerous cups of tea.
Two iconic figures of our times. Rest in Peace.
Posted on December 2, 2013
So….that was fun….
Just back from Dusseldorf – the last of the three Travel Photography Masterclass weekends with InterContinental.
But we’ve been getting used to that and it did give us an opportunity each time to look at shooting in bad weather (I’m worried I might get a repution) After all if you’ve gone for a weekend away your not going to hang out in the hotel just because of a bit of rain are you?
Here’s a few pics from the weekends in Paris and Dusseldorf. Once again a real mix of guests from as far a field as the US and Peru and again with a broad range of experience and interests, so it was great to chat, look at ideas and ways of seeing and challenge a few accepted ‘rules’ (there aren’t any!). And whilst some guests wanted to take better pictures of their husband/wife/kids/girlfriends etc others wanted to get away from a rut they felt they were in and we even got into discussing the Dusseldorf school and it’s influence on contemporary photography.
First up though, I’m must mention the chef at the hotel in Dusseldorf who, on my arrival, had made a chocolate ‘photograph’ of the skyline for me. Complete with picture frame and set on the table in my room – cool eh?
The Madness of the Dusseldorf Christmas market…
Here’s the rather grand ‘Le Grand’ in Paris….
and finally….won’t someone mention to the Dusseldorfers that their buns are a bit small? (but the Alt beer is fab!)