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Joan Eardley: A Sense of Place

Just back from a trip to Edinburgh to see a very special show.
Joan Eardley has fascinated, inspired and influenced me profoundly since I first came across her work at Aberdeen Art Gallery many, many years ago. Like me she was drawn again and again to what appear, at first, to be two very different subjects: social documentary (in Eardley’s case of inner city Glasgow) and wild landscape (North East Scottish coast).
So excited then to see the first major show of her work in a long time at The Scottish National Gallery of Modern Art in Edinburgh.
Much of the work on show is familiar from Christopher Andreae’s comprehensive 2013 book, but even then there are some surprises and, as ever, seeing paintings (and drawings, sketches and photographs) ‘in the flesh’ is revelatory compared with reproductions in books. 
The beautiful ‘Boats on the Shore’, 1963 (see attached) was completely new to me and whilst the exhibition is full of wonderful paintings any show is necessarily selective so if you want to see the monumental ‘High Tide, A Winter Afternoon’, 1961, you’ll still need to head up to Aberdeen. Of course that means you can pop in to Catterline en route and see the place that inspired so much of Eardley’s landscapes and seascapes.
The show is divided roughly between the two great strands of her work, the street children and tenements of 1950s Glasgow and the remote fishing village of Catterline on the East Aberdeenshire coast. 
Here then is a little taster….
….and my own (heavily influenced) picture of the Todhead lighthouse from Catterline made a few years back – part of the series ‘Dreich’
 
img_4799Eardley, Joan Kathleen Harding, 1921-1963; High Tide, a Winter Afternoongma-853todehead_from_catterline_2013

Travel Photographer of the Year Awards 2016

Delighted and honoured to win the Portfolio award for ‘Natural World’ in the Travel Photographer of the Year last week.

The portfolio of four pictures is taken from my ongoing personal project ‘The Lake’ – you can see a wider selection from the project on the website: craigeaston.com > travel and landscape series > The Lake.

What the judges said: “Craig’s images caught the eye of the judges in the earlier online rounds of the judging but it was only when they saw the sumptuous tones and detail in the prints that their true beauty and quality was fully appreciated.”

The prints will be exhibited as part of the TPOTY exhibitions to be held in 2017:

Hull, City of Culture, 18th May – 30th June

Greenwich, London, 4th August – 3rd September

 

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The Tay Valley, Scotland

Amidst all the turmoil surrounding the EU referendum here in the UK last week, I was fortunate to spend a few days up in Scotland continuing my series of large format landscapes.

This time The Upper Tay Valley in and around Crianlarich….

With 04.30 sunrise and sunset at 22.30, they were long days. Thanks to the good folk at the Crianlarich Hotel who looked after me with my odd time keeping!

A pint of the Colonsay Brewery IPA was a welcome treat at the end of the day…

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Myanmar

Back from a fascinating trip to Myanmar in December. Amazing country, lovely people and a privilege to have the opportunity to work there. A longer blog post will follow with the commissioned pictures once they have been used by the client, but here’s a little taster…easton_myanmar_01easton_myanmar_02 copyeaston_myanmar_03easton_myanmar_04easton_myanmar_05easton_myanmar_06easton_myanmar_07easton_myanmar_08

Game of Thrones – part two

More from Northern Ireland. Is there anywhere better than the North Antrim coast when it’s wild and windy?

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Game of Thrones

Been shooting some landscape work around Game of Thrones locations in Northern Ireland. Mostly using PhaseOne kit, but fortunately for this one I was using an old Nikon D3X – they take some battering those cameras!!!

Ballintoy Harbour, Co. Antrim….

Ballintoy_01
and half a second later….
Ballintoy_02
more to follow….

Mazda Cars shoot, Fogo Island, Newfoundland

It’s been a busy few months at the end of 2014, beginning of 2015. First up a lovely car shoot for Mazda in Canada. Essentially designed as a ‘road-trip’ shoot with a Mazda 3 Sport. The location was Fogo Island off the Newfoundland coast, traditionally a close knit fishing community that was suffering after the long and ongoing moratorium on the Northern Cod Fishery on the Grand Banks in the north Atlantic. The community had been struggling for years with the impact of the collapse of the fishing and recently native Fogo Islander Zita Cobb who had left and made her fortune on the mainland returned with an extraordinary project to breath life back into the island: The Fogo Island Inn is a spectacular modernist luxury hotel and the symbol of Fogo’s reinvention of itself as a hub of cutting edge art and design.

All in all a fascinating story and fabulous backdrop for a car shoot.

Here’s some pictures…..

Fogo_12Fogo_01 Fogo_09Fogo_02 Fogo_07Fogo_03 Fogo_10Fogo_04 Fogo_06Fogo_05Fogo_11