New Campaign for Wagamama

Series of four new ads created for Wagamama just before Christmas with a great team from JWT London.
Never been so well fed on a shoot!!

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Joan Eardley: A Sense of Place

Just back from a trip to Edinburgh to see a very special show.
Joan Eardley has fascinated, inspired and influenced me profoundly since I first came across her work at Aberdeen Art Gallery many, many years ago. Like me she was drawn again and again to what appear, at first, to be two very different subjects: social documentary (in Eardley’s case of inner city Glasgow) and wild landscape (North East Scottish coast).
So excited then to see the first major show of her work in a long time at The Scottish National Gallery of Modern Art in Edinburgh.
Much of the work on show is familiar from Christopher Andreae’s comprehensive 2013 book, but even then there are some surprises and, as ever, seeing paintings (and drawings, sketches and photographs) ‘in the flesh’ is revelatory compared with reproductions in books. 
The beautiful ‘Boats on the Shore’, 1963 (see attached) was completely new to me and whilst the exhibition is full of wonderful paintings any show is necessarily selective so if you want to see the monumental ‘High Tide, A Winter Afternoon’, 1961, you’ll still need to head up to Aberdeen. Of course that means you can pop in to Catterline en route and see the place that inspired so much of Eardley’s landscapes and seascapes.
The show is divided roughly between the two great strands of her work, the street children and tenements of 1950s Glasgow and the remote fishing village of Catterline on the East Aberdeenshire coast. 
Here then is a little taster….
….and my own (heavily influenced) picture of the Todhead lighthouse from Catterline made a few years back – part of the series ‘Dreich’
 
img_4799Eardley, Joan Kathleen Harding, 1921-1963; High Tide, a Winter Afternoongma-853todehead_from_catterline_2013

Travel Photographer of the Year Awards 2016

Delighted and honoured to win the Portfolio award for ‘Natural World’ in the Travel Photographer of the Year last week.

The portfolio of four pictures is taken from my ongoing personal project ‘The Lake’ – you can see a wider selection from the project on the website: craigeaston.com > travel and landscape series > The Lake.

What the judges said: “Craig’s images caught the eye of the judges in the earlier online rounds of the judging but it was only when they saw the sumptuous tones and detail in the prints that their true beauty and quality was fully appreciated.”

The prints will be exhibited as part of the TPOTY exhibitions to be held in 2017:

Hull, City of Culture, 18th May – 30th June

Greenwich, London, 4th August – 3rd September

 

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The Tay Valley, Scotland

Amidst all the turmoil surrounding the EU referendum here in the UK last week, I was fortunate to spend a few days up in Scotland continuing my series of large format landscapes.

This time The Upper Tay Valley in and around Crianlarich….

With 04.30 sunrise and sunset at 22.30, they were long days. Thanks to the good folk at the Crianlarich Hotel who looked after me with my odd time keeping!

A pint of the Colonsay Brewery IPA was a welcome treat at the end of the day…

easton_tay_1easton_tay_2easton_tay_3easton_tay_4easton_tay_8easton_tay_10easton_tay_15image1.jpg

British Airways High Life Magazine

Delighted to see this beautiful layout of my photograph of the Flatiron Building on the cover of this months BA High Life magazine. Thanks to Craig Baxter for the design.HighLife_cover_01

International Color Awards

Delighted to receive the news this morning that my picture ‘Mr & Mrs McDonald, Scotland’ has been selected at the International Color Awards in Los Angeles. Shot on a 1952 Deardorff in June last year as part of an ongoing series entitled ‘900 Miles’.

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The Independent Newspaper

It was with great sadness that I heard the announcement recently that The Independent was to cease it’s print edition from March 26th this year after setting the agenda and setting the bar in British journalism for 30 years.

I began my career at ‘The Indy’ back in 1990 and it was there alongside the best newspaper photographers of the day that I learned my trade. Great photographers like Brian Harris (book coming soon, about which I will blog I’m sure), John Voos, Glynn Griffiths, Tom Pilston, David Rose all on the staff back then (remember when newspapers had staff photographers?) and sports guys David Ashdown and Peter Jay. Alongside them was a great bunch of regular freelancers: Nick Turpin, Ed Sykes, Peter Macdiarmid, Laurie Lewis, Geraint Lewis, Herbie Knott, Steve Morgan, Robert Hallam, and then later Ed Webb, Kalpesh Lathigra, Kayte Brimacombe, Andrew Buurman etc. More followed after I left too.

I will be forever grateful for what I learned from each and all of them and proud to call many of them friends to this day.

Picture editors and darkroom staff too: Chris McCane, Keith Dobney, David Swanborough, Mike Spillard, Victoria Lukens, Susan Glenn, Karen Wylie, Colin Jacobson, John Luff, Sophie Batterbury, Simon Van Covoerden, Tony Buckingham etc.

Apologies to anyone I’ve missed off.

Here’s a few pictures from back in the day…..

941125_Williams_Indy960608_Appleby_Indy981015_Williams_Indy

The death of Francis Bacon, Colony Room, Soho, LondonColony Rooms copy

Ben Okri, authorBen Okri

Michael Heseltine, Conservative Party Conference, Blackpooleaston_heseltine

David Hockney, on the set of ‘The Rakes Progress’, Saddlers Wells, LondonDavid Hockney on the set of The Rakes Progress Opera, which he d

Miners Welfare Rally, Londoneaston_whose_job

Liberia, West AfricaLiberia_colour_01-02

War in the former Yugoslavia (Mrs Thatcher)Mrs T 4_flat

Nelson Mandela, LondonNelson Mandela

Sealed Knot, Civil War reenactment, NewburyNewbury Down

La Defense, ParisParis_Indy

Ted Heath, Westminster, LondonTed Heath interview

Armistice Day, Ypres, BelgiumYpres